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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Trukanini
Trukanini
Trukanini

Trukanini, 1866 (printed 1890s)

Charles Woolley
Portrait, glass plate negative

Purchased 2011

Trukanini
Trukanini
Trukanini

Trukanini, n.d.

J.W. Beattie after Charles Woolley
Portrait, albumen silver photograph

Collection: National Portrait Gallery
Purchased with funds provided by Allanah Dopson and Nicholas Heyward 2009

Woureddy [Wurati], an Aboriginal Chief of Van Diemen's Land
Woureddy [Wurati], an Aboriginal Chief of Van Diemen's Land
Woureddy [Wurati], an Aboriginal Chief of Van Diemen's Land

Woureddy [Wurati], an Aboriginal Chief of Van Diemen's Land, 1835

Benjamin Law
Portrait, cast plaster, painted

Collection: National Portrait Gallery
Purchased 2010

Sir Thomas Makdougall Brisbane
Sir Thomas Makdougall Brisbane
Sir Thomas Makdougall Brisbane

Sir Thomas Makdougall Brisbane, 1842

Frederick Bromley after Robert Frain
Portrait, mezzotint on paper

Purchased with funds provided by Ross A Field 2008

Self portrait

Elegance in exile

Portrait drawings from colonial Australia
Previous exhibition, 2012

Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period.

Roy de Mastre, c. 1930

An Intimate Portrait of an Australian Artist in 1930

Magazine article by Lauren Dalla, 2003

Lauren Dalla examines the life of Australian painter Roy de Maistre and his portrait by Jean Shepeard.

Self portrait with glove

To Look Within

Self Portraits in Australia
Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Self portrait, c.1900

Reflection

Magazine article by Michael Rosen, 2013

British novelist and poet, Michael Rosen, weaves a tale about his early encounters with creativity and the self-portrait of a childhood friend.

Greek Orthodox Priest, 2015 by Sarah Ball

Hope for kindness

Magazine article by Dr Sarah Engledow, 2018

Sarah Engledow arrives at the junction of fate and hope in Sarah Ball’s poignant Immigrants series.

General Sir Thomas Makdougall Brisbane

Seeing stars

Celebrating Science Week
About Face article

It has been suggested that Sir Thomas Brisbane’s interest in the New South Wales governorship was as attributable to his passion for astronomy as to the desirability of the position as a prestigious career move.

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven
Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Portrait of Truganini, daughter of the Chief of Bruny Island, Van Diemens Land, c. 1835

Black and white history

Magazine article by Michael Desmond, 2009

English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency